Adam Watts
Shining like a piece of coal
I'm empty but I overflow
The blind sun beats down on me
Falling with my feet on the ground
I'm screaming but I make no sound
The blinding sun beats on me
(pre chorus)
And I'm out of things to do
Yes, I'm out of things to do
(chorus)
So I crawl right back to you
And you welcome me home
Yes, you welcome me home
Then I crawl right back to you
I'm by myself but I'm not alone
Never alone
I'm fighting while I'm paralyzed
I'm dying but I'm still alive
The blind sun beats down on me
Speaking with nothing to say
Meaningless words in the way
The blinding sun beats on me
Pre Chorus
Chorus
Never alone
(bridge)
And you that no man can run
And it won't be long for me
Every day I fall away I come undone
And it's all that can do
To keep aiming toward you
And nowhere else feels the same
'Cause you made my heart this way
Chorus
THE SONG: Christ always takes us back no matter how far we've strayed. It's almost a cliche' notion... when I write that it feels like I'm writing someone else's words... something I've heard in sermons countless times... doesn't make it any less true, though... thankfully:)
THE RECORDING: Well, it's been awhile... but I remember a few things. THE DRUMS: My Gretsch kit... I've had it since 1985. It's amazing. The snare is this one I have that has one of those wood top rims... has a certain kind of attack to it... THE GUITARS: These rhythm guitars are the Tophat Emplexador... Andy Dodd's old standby amp... I used his Strat on this (a guitar I rarely use these days)... it had this great virtual vintage pickup in the bridge position... a nice semi-dirty tone... THE BASS: Good old Nic! Probably on his Mile Lull bass... but maybe a Fender Jazz Bass...
Back in these days I was using a Neumann TLM 103 on the vocals and somewhere during this album I had bought the U47... I used API mic pres on a lot of stuff.... the Avalon 737 on the vocal and probably the room miss on the drums.
I also remember using the 1176 plugin as my compressor of choice then.
All of this went out an SSL Bus Compressor and through Apogee conversion.
Original Release Date: October 24, 2006
Bass: Nic Rodriguez
i look, i feel, i listen
i’m only hearing my own voice
the echo of pointless
i try to force my weakness
release imprisoned slaves of choice
i couldn’t avoid this
(chorus)
i should be something better
this bird ain’t got no feathers
flying straight to the ground
i could be something better
seen through Your eyes forever
floating, holy
leaving lonely alone
a crook, a thief, a liar
an honest man, all rolled in one
in theory i’m perfect
the love i feel is poisoned
by judge and jury in my head
no law is anointed
chorus
(bridge)
i could be wrong, maybe i’m not so bad
and the road’s just long
is good luck not what i’ve had
i’d like to believe this
ingest and recieve this
but i’d be gone if i do
‘cause my lies are never true
(verse 3)
i fill my heart with fire
i breathe the smoke of burning pain
desire the cancer
i train my face to play out
the fiction drama every day
i’m left disappointed
Original Release Date: October 24, 2006
Bass: Nic Rodriguez
Drums: Jules Rodriguez
Guitars: Matt Rodriguez
BLISTER ON MY TOUNGE
I CAN’T SPEAK A WORD OF THIS TO ANYONE
I CAN SEE BUT THIS
PAIN IS SOMETHING I DON’T KNOW
SO ALL THAT I CAN DO
IS COME TO MEET WITH YOU
AND YOU SAY:
“SON, HOLD ON TO ME,
AND I WILL LEAD YOUR WAY”
(CHORUS)
LORD, COME AND SHOW ME WHY
I CAN’T SEE WITH YOUR EYES
BLIND MY MIND
MAKE IT RIGHT
PLEASE, I NEED TO GET THERE
WILL YOU HELP ME GET THERE
THIS IS MY PRAYER
CRAWLING UPWARD TO YOU
HOPING MY BELIEF WILL LEAD TO INNOCENCE
STRAIGHT TO MY KNEES
I LET THE WATER HIT MY HEAD
HUMBLE BEFORE YOU
IT’S ALL THAT I CAN DO
AND YOU SAY...
“SON, HOLD ON TO ME,
AND I WILL LEAD THE WAY”
CHORUS
(BRIDGE)
I WANNA BE CUT DOWN TO SIZE
I WANNA BE THE MAN YOU HAD ME PLANNED TO BE
SOMEONE BETTER
I WANNA BE A SON THAT SHINES
ONLY FOR YOU
ONLY TO RISE UP AND ALL THROUGH
LIVING WITH CLEAR EYES
CHORUS
Original Release Date: October 24, 2006
Bass: Nic Rodriguez
Why leave me where i am
I’m here but i’m gone
Signs pointing me to land
Are clear but they’re not
(pre)
So i stay out in the waves
Crashing over me insane
(chorus)
Fly fall fly fall
Air flees from beneath me
Fly fall i don’t care at all
As long as Your hand catches me
Tried stripping love away
To feel less as more
But lies never tell the truth so i pray
For strength come restore me
(pre)
For a taste of something real
Withhold your grace so i can feel
How without you feels
Chorus
Original Release Date: October 24, 2006
SUN SUN SUN SUNLIGHT
PEAKING THROUGH
LONELY BED
WHAT’S UNDONE
STARTS TO RIGHT AGAIN
FROM TIED TO UNTIED
OVERNIGHT
AND BACK AGAIN
FROM DIM TO BRIGHT
I’M BREAKING IN
(CHORUS)
WELL IT’S DARK HERE
ON THE OTHER SIDE OF THE WORLD
BUT I’M SPINNING BACK TOWARD THE LIGHT
BECAUSE OF YOU, BECAUSE OF YOU
BECAUSE OF YOU
ONE HEART ONE MIND
ONE MILLION WAYS
TO FILL IT IN
IT’S ALL FOR YOU
I’M FOLLOWING
YOUR LIGHT IS RIGHTING
ALL THE WRONGS
I’M BACK AGAIN
MY LINE OF SIGHT
IS STRAIGHTENING
CHORUS
(BRIDGE)
BECAUSE OF YOU
I WANNA GROW
BECAUSE OF YOU
I WANT A LIVING LIFE
BECAUSE OF YOU
I’M IN THE KNOW
WHEN IT’S RIGHT IT’S RIGHT
CHORUS
Original Release Date: October 24, 2006
Bass: Nic Rodriguez
Drums: Jules Rodriguez
Guitars: Matt Rodriguez
Original Release Date: October 24, 2006
Bass: Nic Rodriguez
Guitars: Matt Rodriguez
Original Release Date: October 24, 2006
Here's a review the SLEEPING FIRE album got in Christianity Today:
Show of hands, please. How many of you know the name Adam Watts? Yeah, I was afraid of that, though chances are you're familiar with some of his work without even knowing it.
A regular worship leader at California's Saddleback Church, Watts co-wrote and produced on the first three projects from Jeremy Camp, as well as albums from Camp's wife Adie and fellow Saddleback-ian Jadon Lavik. Moreover, he's written and produced for mainstream teen sensations Jesse McCartney (including the hit "Beautiful Soul"), Aly & AJ, and Hannah Montana. And if that wasn't enough, his contract with Disney led to participation as a writer/producer for the TV movie blockbuster High School Musical, its soundtrack the top-selling album of 2006.
An impressive resume for sure, though not one that fully reveals the creative depths that Watts is capable of, especially after listening to his more mature sounding solo work. The Noise Inside, his debut through BEC Recordings, was released with little fanfare, but was strong enough for us to name Watts one of the Best New Artists of 2004. His independently released sophomore effort proves the first album was no fluke. In fact, it's even better … and no, it sounds nothing like High School Musical.
What makes Sleeping Fire so good? The short answer is Watts does everything right as a Christian artist. He's the complete package—an inventive producer, an intelligent songwriter, and a talented multi-instrumentalist who performs most of the album himself. The guitars are the most impressive element, and while Matt Rodriguez handles most of the solos, Watts' gorgeous fingerwork in "To Believe" is no less captivating.
Often the least interesting artists are those that too closely emulate another act—the best are rarely pegged to just one sound. Don't judge Watts by the first track, though "Crawl" is certainly a good alt-rock opener. "Something Better" sounds like the sort of modern Beatle-esque that PFR would have recorded, and "My Prayer" is a driving rocker worthy of Switchfoot or Jimmy Eat World. Later, Watts almost evokes Soundgarden with the bluesy neo-grunge of "Storm Is Gone." But there are also haunting ballads to be found, and "Invisible Light" is particularly striking with its inventive acoustic style.
Watts' vocalizing is equally varied. Most of the time, his sweetly lilting tenor is reminiscent of Morten Harket (a-ha)—overall, he's stylistically comparable to that band's refined pop/rock—and a falsetto that brings to mind Chris Martin (Coldplay). Yet he's also capable of offering the occasional rock yowls similar to Jon Foreman (Switchfoot) or Chris Cornell (Audioslave).
And there's something to be said for this guy's crafty song structuring. The album is chock full of exquisite melodies ("Fly Fall Fly," "Because of You"), but they don't always play out predictably. Listen to the way "Bear with Me" plausibly takes a left turn with a minor chord when you expect a major, and visa versa. Even something relatively simple like shifting the rhythmic feel to half time for the chorus in "Crawl" stands out, only because most artists today don't put as much thought into the creative process.
But perhaps most admirable is the way Watts creatively articulates faith without resorting to vague subtleties. Though it never directly says so in as many words, the title track is clearly a metaphor for rekindling of faith. "To Believe" depicts the nature of belief about as well as any song I've heard—"Seeing isn't believing/Doesn't the mirror hide the truth?/Hearing isn't receiving, is it?/The echo dies alone."
For as often as Christian artists struggle with it, Watts excels at expressing a distinctive personality. His Psalm-like "Come Around Again" is a delightfully unique plea for restoration—"I've been kicked in the faith/See the bruise/I've been stretched to the fray/I've been used and I've used/Will You move the dirty earth I'm under/Wash the mud from this soul?" Some might even say it's too unconventional after listening to "The End" and its strangely puerile-but-honest musings about surrender—"I need to deny myself/Give my Lord above the reigns/Do it different this time and follow His holy way…What would suck is if I win/Miss a prayer I didn't pray/The one that got away."
I don't pretend that this album will be widely embraced. It's well produced, but unlike Jeremy Camp and High School Musical, it isn't glossy. Though accessible in its artiness and current sounding, the music isn't tied to a trend. It won't earn airplay on Christian radio, and it's unavailable in stores. (You can listen to some songs at Watts' site, order it through CD Baby, and download it at iTunes.)
But quality and excellence abounds in every aspect of Sleeping Fire—packaging included. For those who appreciate smart songcraft, skilled musicianship, and creative wordings of faith, Adam Watts impresses on all counts with what we can only hope will be regarded a sleeper hit.
Bass: Nic Rodriguez
Drums: Jules Rodriguez
Guitars: Matt Rodriguez
Original Release Date: October 24, 2006
Published by Seven Peaks Music (ASCAP) and Dying Ego Music (ASCAP), administered by Seven Peaks Music (ASCAP).
Bass: Nic Rodriguez
I KNOW YOU ARE FEELING SOMETHING’S WRONG
YOUR HEART IS A LONELY PLACE TO BE
SILENT CHANGE AND YOU’RE TAKEN OVER
SOMETHING INSIDE HAS REBELLED AGAINST YOU AGAIN
(PRE)
I WISH I COULD HELP
BUT IT’S BEYOND ME
IF I COULD SEE IT COMING THROUGH
I’D WAKE YOU UP FROM THIS UGLY DREAM
AND CALM ALL THE NOISE INSIDE OF YOU
IT’S IN ME TOO
THE NOISE INSIDE
SO FULL OF INTENTIONS, FULL OF LOVE
BUT IT’S HARD TO BE CLEAR WHEN NIGHT FALLS
ALL REARRANGED WHERE DID SANITY GO
THE BLACKEST RAGE BECOMES YOUR SORROW AGAIN
(PRE)
ALONE IN THIS
JUST FEELS THAT WAY
IT ISN’T YOUR FAULT IT’S THIS WORLD
ONE DAY WE’LL WAKE UP FROM THIS SORDID DREAM
HE’LL CALM ALL THE NOISE INSIDE OF YOU
IT’S IN ME TOO
THE NOISE INSIDE
(BRIDGE)
I WISH MY SOUL COULD CRAWL AWAY
FROM THIS MOUND OF FLESH IN SLOW DECAY
AND IT’S A WISH THAT I KNOW I SHARE
WITH EVERY SOUL THAT’S LIVING HERE
MY ONLY COMFORT COMES FROM ABOVE
AND FROM THE ONES WHO KNOW HIS LOVE
IT’S IN ME TOO
THE NOISE INSIDE
THIS NOISE INSIDE
Original Release Date: October 24, 2006
Original Release Date: October 24, 2006
Published by Seven Peaks Music (ASCAP) and Dying Ego Music (ASCAP), administered by Seven Peaks Music (ASCAP).
Original Release Date: October 24, 2006
Published by Seven Peaks Music (ASCAP) and Dying Ego Music (ASCAP), administered by Seven Peaks Music (ASCAP).
Except:
Bass: Nic Rodrguez
Original Release Date: October 24, 2006
Published by Seven Peaks Music (ASCAP) and Dying Ego Music (ASCAP), administered by Seven Peaks Music (ASCAP).
Except:
Bass: Nic Rodrguez
Original Release Date: October 24, 2006
Except:
Bass: Nic Rodrguez
Original Release Date: October 24, 2006
Click on cover art to listen/view songs.
Profile
About Adam: Adam Watts' varied work in the music and film industries as a Songwriter / Producer / Mixer has been featured on over 50 Million Albums Sold Worldwide, with over a dozen #1 HITS in multiple genres, an[more]Adam Watts' varied work in the music and film industries as a Songwriter / Producer / Mixer has been featured on over 50 Million Albums Sold Worldwide, with over a dozen #1 HITS in multiple genres, an ASCAP Pop Award, 2 ASCAP Film/TV Awards and 4 Dove Awards.
As a songwriter for Walt Disney Music Publishing for 10 years, Watts has written and produced songs for projects including High School Musical (1, 2, & 3), Hannah Montana (all seasons), Camp Rock (1 & 2), The Chronicles of Narnia Prince Caspian, Tinker Bell and the Lost Treasure, Disneyland's 50th Anniversary Celebration (Fireworks Show at Disneyland), Lemonade Mouth, Let it Shine, Jump In, Austin & Ally, Brave, as well artist releases for Jesse McCartney, Aly & AJ, Ingram Hill, Cherri Bomb, Hey Violet, and many more.
Watts diverse skillset has led him to work in multiple genres and with artists including Demi Lovato, Kelly Clarkson, Miley Cyrus, Jeremy Camp, Switchfoot, Jonas Brothers, Plain White Ts, Colton Dixon (American Idol), Angie Miller (American Idol), Javier Colon (The Voice Season 1 Winner), Drew Ryne (X-Factor), and many more. He is also a critically acclaimed singer-songwriter, having released ten self-produced solo albums, the most recent being "The Devil & The Light" released January 1st 2022.
Now published by Reservoir Media, Watts' most recent project was the Netflix original film "A Week Away", the first faith-based feature-length musical. Watts wrote, produced and mixed the film's many original songs (and the reimagined classic cover songs), as well as the soundtrack. The film won the Dove Award for Inspiration Film of the Year in 2021.
Watts is also an author and fine artist. His book "The Human of Being Art: A Holistic Approach to Being an Artist and Creating Art" has led to his teaching his unique approach to arts education at multiple Universities throughout Southern California. He is currently developing this approach into a full-fledged arts education and content creation entity, Broken City Artists.
Now the father of two sons, currently Watts is currently working on a series of children's multi-media franchise, "The Adventures of Owie & Raffy" featuring wondrously strange animal characters who are seeking to overcome their deepest insecurities, find self-acceptance, friendship, and a place to truly belong.
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Adam Watts Songwriter, Producer, Solo Artist, Author
Author of "The Human of Being Art: A Holistic Approach to Being an Artist and Creating Art", Adjunct Professor @ CBU
Music Releases: 10 Solo Album Releases: "The Devil & The Light" (2021), When a Heart Wakes Up (2018), The Hero and the Pain (2016), Haterfakers-Single (2015), Way Out (2014), Life on Earth (2013), Fallborn (2012), Murder Yesterday (2010), Sleeping Fire (2006), The Noise Inside (2004). Plus over 150 releases as a songwriter/producer/mixer.
Current Experience: Songwriter, Producer, Solo Artist, Multi-Instrumentalist (drums, vocals, bass, guitar, keys), Visual[more]Songwriter, Producer, Solo Artist, Multi-Instrumentalist (drums, vocals, bass, guitar, keys), Visual Artist, Author, Educator, Signed to Reservoir Media Publishing, Adjunct Professor (Cal Baptist University) [collapse]
Previous Experience: Songwriter/Producer with over 50 Million Albums Sold Worldwide, BEC/Tooth & Nail (EMI) Recording Art[more]Songwriter/Producer with over 50 Million Albums Sold Worldwide, BEC/Tooth & Nail (EMI) Recording Artist, Walt Disney Music Publishing songwriter. Extensive experience in rock, pop, alternative, CCM, TV, Film and Animation projects. 4x Dove Award Winner, 3x ASCAP Songwriting Award Winner. [collapse]
My Artist Type: The Visionary Artist
My Creative Work Type: The Entrepreneur
Short Term Goals: Release the FOLLOWING FIREFLIES multi-media book and music series
Long Term Goals: Share my HOLISTIC APPROACH with millions
Artist Q&A
List your Top 5 favorite songs of all time, and one reason why for each. (Think of it like this: if you could only listen to 5 songs for the rest of your life, which 5 songs would you choose?). NOTE: By definition, a song = a piece of music with vocals, lyrics and music.This is [more]List your Top 5 favorite songs of all time, and one reason why for each. (Think of it like this: if you could only listen to 5 songs for the rest of your life, which 5 songs would you choose?). NOTE: By definition, a song = a piece of music with vocals, lyrics and music.This is hard... this list kinda changes depending on the day... but I know I can't go wrong with this list:
1) With or Without You (U2) - haunting, beautiful, aching and timeless song about the tension that so often exists in a romantic relationship... the push and pull. Lyrics are poetry. Epic vocal. Love how it builds musically. Timeless production.
2) Mad About You (Sting) - This song has a feeling like no other. A biblical story from a cool original angle. something about this song just feels like me... it's one of the songs that inspired me to become a songwriter.
3) Fix You (Coldplay) - So emotional, so universal. A modern classic. It'd feel nice to have written that one! Again, another example of a heartfelt, artful song that's also been successful!
4) Hallelujah - (written by Leonard Cohen, but I dig Jeff Buckley's version)
5) Disappearing One (Chris Cornell) - This song feels like ME... how I feel... and it's got a perfect blend of mystery, angst, intensity, poetic artistry, musicality, and heart.
List the Top 5 songs you wish you'd written, and one reason why for each. (Any reason is viable!).
I'm gonna pick at least one song from every decade I've been alive!
1) With or Without You (U2) - haunting, beautiful, aching and timeless song about the tension that so often exists in a romantic relationship... the push and pull. Love how it builds too.
2) Every Breath You Take (The Police) - Because it's emotional but also artistic and most people don't know that though it's a love song, it's actually about obsession! Tricky. Also, it's one of the most played songs ever at radio. So it's artistic AND it's been successful... so again, the royalties would be nice!!
3) Fix You (Coldplay) - So emotional, so universal. A modern classic. It'd feel nice to have written that one! Again, another example of a heartfelt, artful song that's also been successful!
4) Perfect (Ed Sheeran) - A modern classic. Even though you could say it's a bit derivative of other classic songs, to me it just NAILS that utterly romantic feeling in every way... and it's so well sung... what a great vocal. And yet again, it's also been successful... so I'll take those royalties too!
5) Imagine (John Lennon) - It's such an undeniably emotional and thought provoking song... I'd change a couple lyrics:)... I also like that it's not only a great and meaningful song, but it's probably made a lot of money, so I'd enjoy that part too!
__________________
I'm not stopping!!
6) Black Hole Sun (Soundgarden) - amazing song that feels like no other.
7) Show Me How to Live (Audioslave) - Rocks SO hard and also has intense and meaningful lyrics.
8) Yesterday (The Beatles) - Such an aching song that nails the feeling of nostalgic regret in a way that feels so good.
9) Fake Plastic Trees (Radiohead) - this song so poetically and achingly expresses the sadness of the facades people put up in life... the hurt that lurks under the surface.
10) Chandelier (Sia) - One of the greatest pop songs ever. Incredibly poignant while being so catchy, soulfully melodic and powerful on every level. Amazing vocal... and such perfectly crafted and emotional lyrics.
11) I Can't Make You Love Me (Bonne Raitt) - Because... it's perfect.
12) Karma Police (Radiohead) - poetic, aching depth that I just really connect to on every level.
13) Lover, You Should've Come Over (Jeff Buckley) - beautiful, powerful, so in the moment. Everything about this song and recording is great.
14) Human (Rag 'n Bones Man) - One of the very best songs (in just about every way) of the last 10 years. There's a few "trendy" production things in there... but overall, a timeless and powerful song... songs like this are increasingly rare.
15) Someone Like You (Adele) - a modern classic of the 2000s. Just great, straight to the heart, honest songwriting.
16) To Make You Feel My Love (Bob Dylan, but Adele's version) - Such an amazing song from lyrics to melody... it just hits me.
17) The Age of Worry (John Mayer) - one of my favorite songs of his. It feels important and honest... it's emotional, thoughtful and just nails a certain feeling and perspective about life that I connect with while also being poetic about it.
18) My Hero (Foo Fighters/Dave Grohl) - one of the greatest rock songs IMO. "There goes my here... watch him as he goes... there goes my hero... he's ordinary...". So good in very way I want a rock song to be good: lyrically, musically, emotionally, and it KICKS A$$.
19) Maggie's Song (Chris Stapleton) - a song about a dog. We had to put our precious golden retriever Clementine to sleep in 2021 (she was almost 14 years old, totally blind, and in living in pain)... it one of the most awful, achingly horrible moments, yet also beautiful.... but she was an angel and added so much love/joy/beauty to my life. Man's best friend, for sure. This song NAILS the feeling... what it's like to love a dog and be with it from puppy to death.
20) Fire Away (Chris Stapleton) - a love song, but so much more.
21) Stairway to Heaven (Led Zeppelin) - because it's great, that's why!
22) Time After Time (Cyndi Lauper) - such a great song.
23) I Burn For You (Sting) - great in every way... so dark, yet so beautiful.
24) Slow Dancing in a Burning Room (John Mayer) - Such a great lyric, melody, recording... he nailed it.
25) Fortress Around Your Heart (Sting) - great in every way... WISH THIS WAS MINE! haha
26) Fragile (Sting) - This is kind of like Sting's "Imagine"... so good... so BIG... it's about life... and it feels real.
List what you believe are the Top 5 Greatest Songs Ever Written, and one reason why for each.
1) Imagine (John Lennon) - It's such an undeniably emotional and thought provoking song... I'd change a couple lyrics:)... I also like that it's not only a great and meaningful song, but it's also stood the test of time.
2) I Can't Make You Love Me (Bonne Raitt) - A warmly sad, aching love song that absolutely nails an archetypal life-situation/feeling in a way that's so emotional, mature, and utterly beautiful in a way that just feels like the truth. For a song released in the early 90s it's also pretty timeless sounding (actually sounds a little 80s).
3) With or Without You (U2) - haunting, beautiful, aching and timeless song about the tension that so often exists in a romantic relationship... the push and pull. Love how it builds too.
4) Smells Like Teen Spirit (Nirvana, written by Kurt Cobain) - So raw... So Badass... So emotional... AND thoughtful in ways that are equal parts angsty and sarcastic.... there's a ton of artistry and subtext in this song. Sounds as vital now as ever.
5) Stand By Me (Ben E. King - written by Ben E. King, Jerry Leiber, Mike Stoller)
____________
Not stopping here either !!!
6) Fortress Around Your Heart (Sting) - great in every way.
7) Let it Be (The Beatles) - it's so good it seems like it has always existed... but there was a time before it did!
8) Yesterday (The Beatles) - it's just hard to deny it's greatness on every level.
9) Fragile (Sting) - This is kind of like Sting's "Imagine"... so good... so BIG... it's about life... and it feels real.
10) Time After Time (Cyndi Lauper) - such a great song about such a basic thing:that notion of 'I'll be there for you no matter what'... this song nails that.
On the piano or guitar, do you understand how to build and/or play major and minor scales and chords starting on any note?
Yeah... scales are easier for me to find and play (to seem degree) on piano... it's all organized right there... on guitar I don't think in terms of scales, more so in chords and shapes... but I can find the scales on a guitar... I've never come at either instrument from a place of "learning my scales", but as an instrument to write songs on... so I find progressions and parts... I'm not a soloist.
Proficiency in the art and craft of SongMaking requires some solid understanding of the entire process. Are there any parts of the process you find confusing, intimidating, or difficult? (i.e. from the initial song idea to producing, mixing and mastering?)
At one time or another (to varying degrees) I've found EVERY part of the process a bit confusing, intimidating, and/or difficult. Pretty quickly though, I grew love every part of the process... I think it's SUPER important to dig in and get at least a basic understanding of every part of the process (even if it's not your specialty or career goal!). That initial intimidation feeling wears off fast and you'll be SO empowered by the control you'll have in crafting your music and communicating with collaborators. Just listen and explore.... and trust your instincts!
What instrument are you most proficient on? Also, do you sing at all (explain)?
I'd say drums... that's where I have the most obvious level of virtuosity... then voice (in an expressionistic sense)... then finger style guitar... from there I'm about the same level of proficiency on bass, electric guitar, and piano/keys... and I ALMOST consider Protools an instrument at this point!!
Do you understand the concept of of "relative major and minor scales"
Yeah... it's a simple thing, but wow is it powerful to use and understand in songwriting.
Do you know how to build Major 7th, Minor 7th, Dominant 7th chords, Suss-4, and Add-9 Chords? If not, please list which ones you don't know.
Yeah... but more often than not, I tend to like chord 7th chords much more when they're spread across multiple instruments and octaves as opposed to played in one octave on a single instrument... there's a feeling I like more when harmony is arranged in this way... I tend to like sparse and very deliberate use of 7ths! Every chord has it's context and has a feeling... and 7ths have a very strong and specific sound on an instrument... I'd often rather hear a more simple chord and hear the 7th in the melody or countermelody so it's used more as a passing feeling as opposed to one that's being SAT ON for awhile... but that's just me... it's a taste thing.
Can you read, write, and understand basic rhythms (from whole notes to 32nd notes)?
Yeah... this is the core of my training... as a drummer... and it's been helpful in working and editing in Protools.
Do you know the basics of how to setup a new session then record, edit, route tracks, and assign plugins in Protools?
Yeah... and if you don't, don't worry, it's not that hard... and once you know... you'll be off and running.
Which digital audio workstation (DAW) are you most familiar with and prefer using?
Protools for sure. Been working in protools for over 20 years and I love it... it's the industry standard... but that doesn't mean other DAWs aren't great and obviously many many people get incredible results on all kinds of software... it's about the user, not the program! There's an old quote... "it's the fool, not the tool!". haha
Do you understand how to put WAV files of individual drum samples into "the grid" in a DAW and make basic drum beats?
I do... And I like to play with how I put the sounds on the grid... sometimes shifting the sample off the grid a little bit (artfully!) can bring some humanity to a groove. ALSO: I'm a BIG believer in making my own samples.... I've been doing it since about 2013 almost exclusively... in this era where everyone has access to pre-0made samples that sound good... it's better to sound UNIQUE!! Every sound is made up of creative decisions... so create your own sounds... in real life, with a microphone... this makes a MASSIVE difference in your end result being unique. It's all about making intentional, instinctual and emotional creative decisions.
Do you know how to set up a basic signal flow to record with a microphone and/or instrument without unwanted distortion (i.e. from the instrument to the mic, cable, pre-amp settings, interface input, setting gain, and recording in your DAW, etc.)?
I do... but what's cool is that there are always new and unique ways to be found... so it's fun to experiment... sometimes what might be viewed as the wrong way to do something actually ends up sounding really RIGHT!!
Do you understand the basics of how to use EQ and compressor plugins?
I do! And if you don't... have no hear, use your ears! Don't fear the knobs. Just turn them fearlessly and LISTEN! It can be intimidating but just dive in and start turning knobs and listening to the results... find what YOU like and go for it. You'd be surprised at what you'll discover if you just goof around. There's no right or wrong with this stuff... there's what you like and what you don't... what sounds good and what doesn't.... just go for it... and of course, be open to LEARNING and just discovering by trial and error... and blend of both is the key to finding your own sound.
Do you tend to use plugin presets, or use your own custom settings (explain)?
This is a big one for me... I believe in really digging in and tweaking the knobs... finding out what they do so you can get the result you TRULY want... presets are a shortcut that can seem fun/easy but they remove a huge number of important creative decisions from your process... and the uniqueness of your end result IS dependent on how many customized creative decisions you've made... so make as many as possible! That includes tweaking every plugin yourself... not letting a preset make the decisions for you! It's tempting... but in the end you and your work will be MUCH better off for it!! If you've ever thought that a lot of new music sounds the same... it's partly because so many people are using presets and pre-made samples so much!! This is HUGE.
How do you feel you learn best?
A combination of internalizing concepts, understanding and applying them, while also just getting my hands dirty and learning as I go (experientially). This is also how I tend to teach: a combination of those two approaches.
On average, do you prefer inventing/creating your own techniques or learning proven techniques (explain)?
I really enjoying being inventive and discovering my own ways of doing things... knowing that often that means I'll be stumbling upon classic ways of doing things. But I also really value learning the proper ways to do things. So a blend of both for sure. I'm a highly trained drummer and really value that training... but in most other areas I'm more self-taught. I think we can all benefit from a personalized blend of the two approaches.
When it comes to your artistry, what are you most confident about? Also, least confident about?
MOST: I'm most confident in my instincts and tastes... and my ability to find a way to express those in ways that are at a high objective quality. I have just enough talents and intellect to get there... but I don't feel like I'm one of those people who's just gifted and can easily do things (when it comes to the technical process of making music)... I have to really work hard for my best results... but I do feel that the instinctual and taste part is most natural.
LEAST: My ability to know precisely what's going on harmonically just by ear (from a technical perspective), particularly with more complex music. I'll often have to take some time to poke around and figure it out. I tend to hear music as feelings, rhythms and sonic textures first before I hear the harmonic technicalities... this has been both a blessing and a curse! I think it's REALLY important for us to understand that we ALL hear music differently and focus on different things... our perceptions vary a ton! Understanding this can become a huge asset!
Describe your dream scenario for your career as an artist. Be specific!
I've been blessed to make a few dreams come true with music, but I'd like to take it further and own my own media and education company with a very broad reach. To be able to develop and educate artists as well as create, market and distribute music, films and other multi-media on a global scale.
Do you tend to envy other artists or feel competitive with them, or are you supportive of others?
When I was younger I could sometimes fall into some envy (with other singer-songwriters especially) or a competitive mindset. But I've always been genuinely supportive of other artists... my friends especially... and more so now than ever. One of the things that's come with age is the knowledge that we're all unique and that art is so subjective that comparing artists and art (in a way that could lead to jealousy or envy) is really a dead-end!
On average how much time per day (or week) do you currently spend working on your craft?
I'm almost always thinking about it. The amount of time varies. Usually throughout my life, it's been daily for many hours.
What brings you the most joy in both life in general and as an artist?
Balancing the joys of family and my creative life... my two hilarious and awesome kids Rowan and River and my wife Natalie... and the deep joy of expressing myself... the deeper moments with my own solo music especially... But I think some of the most consistent joy I've had with art has been when working with my friends/partners on music in the context of my career... so fun to share those ups and even the downs.
What makes you most frustrated both personally and as an artist?
I get frustrated when I'm not understood by other people... and this extends out to my work: When I'm unable to achieve my vision in the moment I have it... to get out what I know I know I'm capable of... I find that if I just keep pushing I can get there (or at least close)... but it can be REALLY frustrating!!
Do you see yourself as more of a leader or someone who is comfortable in a supportive position? If it depends, explain.
More of a leader. I work best with those who like to jump onboard as I lead. That said, when someone has a great idea I'm totally happy to support it and them! I love when the creative process is dynamic and everyone feels involved and essential to the process. Love working in with a partner or a great team.
On average, As you grow and progress as a person and an artist, is it more important that you have fun, or do you believe in a no-pain-no-gain process? Explain.
I'm probably a bit more of a no pain, no gain guy... but I enjoy solving the challenges in the creative process so maybe it's not PAIN per se, but more like solving the problems and getting through little moments of struggle and getting stuff done that drives me forward... but more and more I see the value in REALLY enjoying the process as much as possible as well. I try to work hard, but I need to feel like it's worth it and like there are little moments to celebrate and enjoy along the way, even when it's hard work.
What are you 3 favorite movies/films of all time? And Why?
hmm difficult... but probably:
1) Shawshank Redemption - amazing story of friendship and struggle, amazing score, acting and cinematography...
2) Forrest Gump - amazing story of how having a lot of heart and perseverance can make up for a lack of talent or intelligence... plus amazing score, great acting, and cinematography...
3) Braveheart - amazing story of love, standing up for your beliefs and against injustice, pushing through struggle for the greater good.... plus another amazing score, acting and cinematography...
All of these stand up as timeless classics IMO.
What are your 3 favorite artists of all time? And why?
1) Thomas Newman - film composer - unbelievably beautiful music... pretty sure this is what heaven sounds like.
2) Sting - His legacy of music with The Police and as a solo artist makes for a really iconic mix of originality heart, musicality and intelligence.
3) Jeff Buckley and Chris Cornell - it's s tie - both incredible and unique voices with great songwriting.
Cornell's work with Soundgarden and especially his first solo album "Euphoria Mourning"... WOW... His voice... his writing... he was a tortured guy and you could feel it in his music... gone way too soon.
What are your 3 favorite songs RIGHT NOW? And why?
This is hard. But I'll pick the first few that come to mind... for some reason they're all kind of ballads and ones I heard early in life... I love so many songs of so many vibes and styles from so many decades and eras... but these are like a heart-hug... and these are songs that I love that I also think are truly great, objectively.
1) With or Without You (U2) - haunting, beautiful, aching and timeless song about the tension that so often exists in a romantic relationship... the push and pull. Love how it builds too.
2) Imagine (John Lennon) - Even though some of the lyrics rub me wrong, overall this song is just nearly perfect and so emotional, vulnerable and beautiful while also being somewhat raw.
3) Fix You (Coldplay) - achingly beautiful and timeless song about empathy and love. This one builds much like my first song... just keeps getting bigger and more cathartic as it goes.
4) Mad About You (Sting) - honorable mention! This is probably the song that made me feel like I had to write songs... and it's such a vivid storytelling song with such a cool almost mysterious melancholic feeling throughout.
What emotions do you feel you most often feel the need to express through your artistic creativity?
Probably the feeling of intense struggle between the heart, mind, and soul/spirit. The feeling of tension between those parts of self. Do we feel about our thoughts? Or think about our feelings? Chicken or the egg.... and what is this SOUL part???? The consciousness that seems to exist outside of emotion and thought... the part of us that just IS.... so much of life is in navigating all of this.... and for me, songwriting is where I can hash all this out.
Is there one or more styles/genres of music that you despise/hate/can't stand?
There are none that I hate or despise.I tend to have a singer-songwriter core that emanates from classic folk and blues (meaning: good honest lyrics and melody are at the core) and then my tastes go outward into all other styles including alternative, pop, rock, indie, soul, r&b, funk and so many others... so maybe the further music gets from those styles (the less like "songs" in that classic sense) the less interested I tend to get.... but there isn't a style of music I don't like. I've heard great songs that I love in literally EVERY genre.
On a spectrum between 1 and 20, do you consider yourself more interested in technical perfection (1), or more interested in overall feel (20)? (For example, if it's an equal blend of the two you would answer: 10) Explain.
It varies from project to project... but I'd say I'm usually aiming right for a 10. It's the equal balance between the two that for me, really hits the spot!!
Have your parents been supportive of your artistry?
Absolutely. Very grateful for that. It's likely I would not have been successful without their support. I didn't experience legit music industry success as a songwriter or producer until I was 26 years old... and it didn't get REALLY legit until I was bout 28. These days I think there's a LOT of pressure on people to have success much earlier... but I think we need to give ourselves time to develop our artistry and skillsets... you're not a failure if you're still working things out into your mid-20s... even beyond that! I still feel like I'm growing, in my 40s.
Do you find that you prefer short bursts of learning/working with consistent breaks, or longer, focused times?
Longer, focused times for the most part. I definitely need to learn to take breaks! Sometimes I forget to eat when I'm super-focused.
What are your thoughts or opinions on counseling/therapy/psychology?
When it's good, it's GREAT! Gotta find the right fit with a therapist... when you do, it's SO helpful. It's been valuable to me in my life.
On a scale of 1-10 (10 being greatest), how do you personally rate the importance of the arts as entertainment or escapism? (as opposed to as a way to go deeper into ones thoughts and feelings). Explain.
7.5.... entertainment and escapism isn't art's greatest purpose IMO, but it's still obviously a valid use for it. It's important to be able to unwind, be entertained, have fun, and/or be transported into the imagination and take a break from "real life". That process can sometimes actually lead to deeper things.... realizations... catharsis.... rejuvenation.
On a scale of 1-10 (10 being greatest), how do you personally rate the importance of the arts as a means of personal expression, communication and meaning?
9 or 10. It can often transcend other forms of expression.... but it's no replacement for interacting with people 1-on-1 in a vulnerable way. That said, I do feel art CAN be important... and I think if god has gifted us with an artistic talent, we have a responsibility to bring as much meaning and value as we can to the world through our work... not just think of it as a self-centered way to feed our egos or make money!: ) Though making money doing this stuff ain't bad!
Are you technically savvy with regards to computers etc.? (What programs are you familiar with? i.e. Protools, Logic, Garage Band, Photoshop etc.). Do you enjoy this technical/engineering side of music? Explain.
Though I tend to resist learning new technology, once I do, I become fast and fluent on it. I'm very proficient in Protools and fairly good with Photoshop and Premiere Pro. I love applying technical knowledge to creating great music. The gear is nothing without its purpose which is to make music worth hearing!!
What do you feel is the best thing about you as a person? The least best thing?
The good: I try my best to be a good person... and if I make a mistake I try to correct it. I aim to be approachable and considerate to others. I aim to find the right balance of confidence and humility. I aim to be reliable and loyal. I try to do great work regardless of my mood. I want to do meaningful work that's not just about me, but about spreading goodness around. I seek to be truly fair with people in creative collaborations and in business.
The bad: I can be reactive, defensive, and sometimes withdraw when I'm criticized. In my desire to be understood I can also be stubborn! I can be rigid when I have a strong vision for something, which can be frustrating for others. Working on that.... Sometimes I can get overly perfectionistic (mostly with myself). I can tend toward being a workaholic and forget to pour into relationships enough. Sometimes all of these characteristics can add up to me not focusing enough on my own mental and physical health.
Do you feel it's important to finish everything you start, or do you tend to leave work unfinished for some reason? Explain.
I try to finish everything unless I realize it's not going anywhere, then I'll abandon it as soon as I'm sure it's a dead-end... I try not to waste time if it feels like it's going nowhere.... but I try to make sure I'm not just wanting to give up because I'm frustrated.
Do you often struggle with anxiety and/or depression? (if you'd prefer not to answer for whatever reason, simply answer: N/A)
I've struggled with both! For most of my life I'd say I've been prone to consistent times of melancholy... this would at times be something I'd think of as actual depression, but more so, it's been a sense of weight about the realities of life. That said, I've certainly dealt with overwhelming emotions that seem to be MORE than my fair share... I've sought support in those times, via counseling and that's been helpful... I didn't really experience much anxiety until more recent years... I think having kids and just getting older has made anxiety a new thing that I've had to deal with sometimes. I think it's SO important to be open about elements of mental health and seek support... we're ALL going through stuff and we need each other.
Do you plan to make music your full-time career? Do you have a Plan-B in terms of a career choice? If so, what is it?
Yeah... music and art.... creativity of any kind (which includes teaching!). That's plan A-Z:)
Define success in the most personal and complete way possible. i.e. What is success to you?
I want to make great work (artistically) that means something not only to me, but to other people.... and I want to make a good living making music/art. BUT, none of this means much without focusing on having a healthy balance of loving my family and friends and being healthy mentally and physically; that's the foundation of true success. Being wealthy and respected means nothing without health, loving relationships, and a strong spiritual center.
Besides music, what other artistic mediums to you enjoy working in?
Visual Arts (fine art, design, photography, film)
Writing (fiction and non-fiction)
Leatherwork
Carpentry
Knife-making
Archery
Martial Arts
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The Big Five Aspects Scale - Adam's results:
Agreeableness: 15% (Compassion: 72%, Politeness: 1%) [more]Agreeableness (the primary dimension of care for others). Compassion (the tendency to empathically experience the emotion of others) and Politeness (the proclivity to abide by interpersonal norms) for Agreeableness. [collapse]
Conscientiousness: 78% (Industriousness: 96%, Orderliness: 30%) [more]Conscientiousness (associated with duty, precision and responsibility). Industriousness (the ability to engage in sustained, goal-directed effort) and Orderliness (the tendency to schedule, organize and systematize) for Conscientiousness. [collapse]
Extraversion: 84% (Enthusiasm: 30%, Assertiveness: 98%) [more]Extraversion (associated with positive emotion). Enthusiasm (spontaneous joy and engagement) and Assertiveness (social dominance, often verbal in nature) for Extraversion. [collapse]
Neuroticism: 74% (Withdrawal: 57%, Volatility: 84%) [more]Neuroticism (negative emotion). Withdrawal (the tendency to avoid in the face of uncertainty) and Volatility (the tendency to become irritable and upset when things go wrong) for Neuroticism. [collapse]
Openness to Experience: 97% (Intellect: 96%, Openness: 93%) [more]Openness (interest in ideas and aesthetics). Openness (creativity and aesthetic sensitivity) and Intellect (interest in abstract concepts and ideas) for Openness to Experience. [collapse]
Enneagram Personality Assessment - Adam's Results:
Type 1: The Reformer
(Principled, Purposeful, Self-Controlled, and Perfectionistic.) [more]The Rational, Idealistic Type: Principled, Purposeful, Self-Controlled, and Perfectionistic [collapse]
Type 2: The Helper
(Generous, Demonstrative, People-Pleasing, and Possessive.) [more]The Caring, Interpersonal Type: Demonstrative, Generous, People-Pleasing, and Possessive [collapse]
Type 3: The Achiever
(Adaptable, Excelling, Driven, and Image-Conscious.) [more]The Success-Oriented, Pragmatic Type: Adaptive, Excelling, Driven, and Image-Conscious [collapse]
Type 4: The Individualist
(Expressive, Dramatic, Self-Absorbed, and Temperamental.) [more]The Sensitive, Withdrawn Type: Expressive, Dramatic, Self-Absorbed, and Temperamental [collapse]
Type 5: The Investigator
(Perceptive, Innovative, Secretive, and Isolated.) [more]The Intense, Cerebral Type: Perceptive, Innovative, Secretive, and Isolated [collapse]
Type 6: The Loyalist
(Engaging, Responsible, Anxious, and Suspicious.) [more]The Committed, Security-Oriented Type: Engaging, Responsible, Anxious, and Suspicious [collapse]
Type 7: The Enthusiast
(Spontaneous, Versatile, Acquisitive, and Scattered.) [more]The Busy, Fun-Loving Type: Spontaneous, Versatile, Distractible, and Scattered [collapse]
Type 8: The Challenger
(Self-Confident, Decisive, Willfull, and Confrontational.) [more]The Powerful, Dominating Type: Self-Confident, Decisive, Willful, and Confrontational [collapse]
Type 9: The Peacemaker
(Receptive, Reassuring, Complacent, and Resigned.) [more]The Easygoing, Self-Effacing Type: Receptive, Reassuring, Agreeable, and Complacent [collapse]
