Adam Watts
Wings, small mind
Lonely bird
Flying toward the sun
Blinded by everything, everyone
Something makes me run away
As You save me from the gloom
I know without You...
(chorus)
I would be a loser, a criminal mind
A sad case and a waste of Your time
A loser, deaf, dumb and blind
But with You I'm alive
Like a stone
Seen and not heard
Being dragged around
Have no home
Every day is a blur
Drowning out the sound of love
But as You save me from the gloom
I know that without You...
Chorus
(bridge)
I try to hide from You
This plank in my eye
But You make a black sky blue
You love me and You sympathize
Chorus
Original Release Date: November 4, 2004
My feet on the ground
Heaven on my mind
Your loving grace inside
Still I fall away from You
Will You carry me
Carry me along
I need You here
I feel You here
Lord I need You now
(chorus)
God of grace, God of love
When I need, You are always enough
God of peace, God of all
I'm so glad You are there when I fall
I sit around watching life go by
Wasting precious time
Lord I need Your hand to guide
Will You carry
Carry me along
I need You here
I feel You here
Lord I need You now
Chorus
(bridge)
Ever by my side
You're never far
You show me there is peace
Behind the scars
In You I put my trust
When I'm in need, when I'm in the dark
Your light's on me, within Your arms I'm free
Chorus
Original Release Date: November 4, 2004
It is a lie if it freezes your soul
You can chase an attractive wind
When it blows
But if you can stay in the light
And let flesh be lonely
Cries become praise for the Lord
(chorus)
We can be kings of meaningless things
Or we can be slaves of love
We can be kings of fallen things
Or we can be slaves of love
Willing slaves of love
Our eyes are wide
And our ears hear it all
Can we filter the whole wide world
Through a small string of thoughts
We're living today on the heels of the failing theory
That we all die, so we should live it up
Chorus
(bridge)
A cry of love, a cry of pain's enough
To leave us trying to find something our hands can touch
To numb the day
A thousand things will not cure weakness
Only a fall to grace, a turn to the face of the Lord
Chorus
Original Release Date: November 4, 2004
You've felt this way before
Unwilling walls are built up
A room without a door
But do you want to give up now
I know you wonder who you'd be
Without that whole thing
Hanging around, poisoned memory
But you can be free
(chorus)
Shut your eyes, jump
Take this beautiful fall
Give it a try, love
And surrender it all
To this beautiful fall
You're closer than you think
Your heart's beneath the surface
There's water here to drink
Your thirst can be your compass
Inside you there's a wound that bleeds
When the past is shaken awake
Turn it around, kill the memory
You can be free
Chorus
This beautiful fall
This beautiful fall
This beautiful...
This beautiful fall
Original Release Date: November 4, 2004
Every word's ringing now
Lovely in my head
Once so lost, now so found
Brought back from the dead
In the fallout of all the wrongs I've done
I can crawl out in the name of the Son
(chorus)
I'll be forgiven now
For everything I've done
I'll be forgiven now
Forgiven now
The rising sun shows me how
To begin again
What weighed a ton and screamed so loud
Simply is forgotten
So I cry out with praises for the One
I am free now in the name of the Son
Chorus
(bridge)
Sad and lonely
Missing something
Looking everywhere
When there is one thing that can save me
And He's always there
Waiting to be called
Chorus
Forgiven now
Forgiven now now now now now
Forven now
Original Release Date: November 4, 2004
I found a way to look like a window
And slam shut like a door
I found a way to laugh and say 'I know'
Give less 'cause less is more
But then I bleed where nobody can see
Yeah, I bleed from internal injuries
Yeah, I bleed where nobody can see
Yeah, I bleed, I just can't seem to listen
(chorus)
Help me I'm...
In critical condition
Help me I'm...
In critical condition
I look away when it's written on my face
Even oceans overflow
This lion's tame when locked inside its cage
Chained up with bottled rage
But then I bleed where nobody can see
Yeah, I bleed from internal injuries
Yeah, I bleed where nobody can see
Yeah, I bleed, I just can't seem to listen
Chorus
(bridge)
I won't let it be the end of me
The earth underneath my feet is crumbling
Will I float, Will I fall
I guess I'll have to learn to trust in You
With all of this
With all of this
Oh, I bleed where nobody can see
Yeah, I bleed from internal injuries
Yeah, I bleed where nobody can see
Oh, I bleed, I bleed, I just can't seem to listen
Chorus
Help me...
Help me...
(outro)
I wanna be closer to You, Lord
I wanna be closer to You, Lord
I wanna be closer to You
I wanna be closer to You, Lord
Original Release Date: November 4, 2004
Published by Seven Peaks Music (ASCAP) and Dying Ego Music (ASCAP), administered by Seven Peaks Music (ASCAP).
Bass: Nic Rodriguez
If i could turn this wasteland into gold
If if could journey happily from young to old
I'd smash a thousand dreams i may have had
I'd give up all material things and i'd be glad
If i could only make one choice
I would choose You
If i could give the heartless a little soul
If i could set a spark beneath lovers gone cold
I'd tear at the seams with all i have
Surrneder all my wants, my needs and i'd be glad
If i could only make one choice
I would choose You
I see the world, take what i nedd
Use it all, lose the rest
To be a fool is to put it all
Above the One you know is love
I would not make that mistake
I would choose You
Original Release Date: November 4, 2004
Except:
Bass Nic Rodriguez and Luke Agajanian (on fretless bass outro)
Guitar Solo: Gannin Arnold
Oh Jesus, Lord Jesus
My Jesus come and rescue me
Oh Jesus, yeah, Lord Jesus
My Jesus come and set me free
Oh Jesus, Lord Jesus
My Jesus come and rescue me
Oh Jesus, yeah, Lord Jesus
My Jesus come and set me free
When I'm broken, lost and hurting
You're standing by my side
I wanna sing Your name
When I'm filled with joy and smiling
I know from where it came
I wanna sing Your name
Oh Jesus, Lord Jesus
My Jesus come and rescue me
Oh Jesus, yeah, Lord Jesus
My Jesus come and set me free
When I'm broken, lost and hurting
You're standing by my side
I wanna sing Your name
When I'm filled with joy and smiling
I know from where it came
I wanna sing Your name
Oh Jesus, Lord Jesus
My Jesus come and rescue me
Oh Jesus, yeah, Lord Jesus
My Jesus come and set me free
I wanna sing, sing, sing
Sing, sing, sing Your name
I wanna sing, sing, sing
Sing, sing, sing Your name
Original Release Date: November 4, 2004
Published by Seven Peaks Music (ASCAP) and Dying Ego Music (ASCAP), administered by Seven Peaks Music (ASCAP).
I'm innocent
I'm guilty too
I wanna be
I wanna be with you
Got a hole inside
But I wanna fill you up
Tell me did I leave you too long
Or could it be that I was never gone
(chorus)
All in all you feel like home
I wanna be
I wanna be with you
I'm coming home
I wanna be
I gotta be
I wanna be with you
Your innocence
It pierces through
A blurry mind
And now I can see you
And though I fail sometimes
Don't wanna do you wrong
It took a while but now I'm strong
It's you and me
And it was all along
Chorus
(bridge)
You've seen me run
You've seen me blame
Please close your eyes
This time is not the same
We'll carry on
We'll carry on
Chorus
I wanna be with you
Original Release Date: November 4, 2004
Published by Seven Peaks Music (ASCAP) and Dying Ego Music (ASCAP), administered by Seven Peaks Music (ASCAP).
Hey beautiful lady
How does it feel to know that you got me
Head over my heels
I'm thinking that maybe I could be lost
Do you wanna find me
Forget the cost
(B Section)
Just enjoy me
Enjoying what I see
I see you
You
Hey beautiful lady
Are you for real
I'm hearing your heartbeat
I'm watching as you steal mine
I know that you're pacing
Taking your time
My wonderful lady
Come and be mine, mine, mine
B Section
You... You...
You... You...
Open to me
Let yourself fly on
I know we'll never go wrong
Open to me
Let yourself fly on and on
Fly on
B Section
THE SONG: Good old fashioned love song. I remember picking up the guitar at my old semi-house thing I lived in off Chapman in Orange... I found this finger picking riff and sang the melody and lyric "Hey beautiful lady, how does it feel". Then I sat there and went "I don't normally refer to girls my age as ladies...??" But it just fit, so I kept it and kept going... this is still one of my most popular songs from that era. It's been used in a lot of weddings, which is super-flattering.
THE RECORDING: Big roomy drums in the bridge. I'd leave the little bedroom food open and put a mic in the bathroom and compress the crap out of it on the NUKE setting on a distressor.
The acoustic part is doubled with this cool asian string instrument sample.... gives it this jangly world-music sound (go figure).
Those were pitch shifted bongos making up the percussion loop.
I recall I was exploring some new tones with my voice when I recorded this song... throatier than other songs from this period... more raspy... it's a little placement thing... different support... makes for more natural high-end which is useful... 2003 seems like forever ago... a lifetime ago. That little junker house in Orange was great though.... I boarded up the windows after filing them with 4" foam. The place had virtually zero light coming in. You'd walk in the front door and there was the studio. The back bedroom was filled with drums and a speaker cab... and I slept in the tiny bedroom next to my window AC unit. I had this tiny fridge that I'd keep red bulls in. I'd eat Jack in The Box everyday. Yikes! This was the place I was living in when Andy and I co-wrote a song that would change our lives forever... another song with "beautiful" in the title.
:)A
Original Release Date: November 4, 2004
I think I know why all the time
But I'm lost when it comes to you
I turn a blind eye every time you cross my mind
Don't wanna know what I feel for you
You were my days, my nights
My pictures of fate
I wanna travel back in time
I wanna see what I can save
Do you
(chorus)
Sometimes I wanna go back
To where we were
Sometimes I wanna go back
To where we were before
Where we were
I'm always looking for a sign
That could lead me back to you
But I won't go there half the way
Don't wanna lie
Don't wanna get over you
I wanna stay
Oh it feels like yesterday
I wanna travel back in time
I wanna see what I can save
Do you
Chorus
(bridge)
These memories are killing me
I wanna be
I wanna be where you are
Chorus
Original Release Date: November 4, 2004
Published by Seven Peaks Music (ASCAP) and Dying Ego Music (ASCAP), administered by Seven Peaks Music (ASCAP).
I wanna be like You
I swallow everything and spit nothing out
Keeps coming back on me
Forcing me down
So dizzy, sick and twisting
So ugly, sad but true
I can't be left unguided
I can't be without You
Help me seek what's true
(chorus)
I wanna be like You
I wanna be like You
Show me what to do
I wanna be like You
You took my pain away
Grounded a drowning man
Erasing yesterday
Only You can
These hands, they reach for sure things
That soon will come undone
So often disappointing, I am, when I don't look to the Son
Help me seek what's true
Chorus
(bridge)
You let me choose
I break, I bruise
So then I give it back to You
And You set me loose
Chorus
You
I wanna be like You
Original Release Date: November 4, 2004
Published by Seven Peaks Music (ASCAP) and Dying Ego Music (ASCAP), administered by Seven Peaks Music (ASCAP).
I could fall apart
Before I start
In the grip of doubt
I need You, Lord
Will You carry me
Take hold of me
When I can't see
An open door
(pre)
In the dark Your light illuminates love
And Your grace is right beside me
(chorus)
I will not fear 'cause I know You're here
And I pray You'll cover me with Your love
And show me You're enough
I will not fear 'cause I feel You here
Lord, will You come and turn what was fear into love
Will You lead my life and dry my eyes
When the pain inside's a lonely war
Can my worry be a memory
That fades away more and more
In the dark Your light illuminates love
And Your grace is right beside me
Chorus
Pre-Chorus
Chorus
Into love...
Into love...
Into love...
Into love...
Original Release Date: November 4, 2004
Trusting melted snow
When it's always changing is hard
But you'll know why I'm here
Once I'm gone
What's burning below
Miles of pain won't go
So I will
Shame on the child in me
Shame on the liar in me
It's a shame
It's a shame
You've made trust to me seem a crime
Just know I've been with you honestly
The whole time
(chorus)
Is this love
Or are we looking for perfect things to claim
Is this love
Or are we bleeding the blood of all the pain
I guess this is love
The sun won't stay up for long
And you're so afraid
Afraid of the darkness that comes
So what can I do
You can't be alone tonight
So what can I do
I still love you
(chorus)
This is love sometimes
Forget all the perfect things we crave
This is love this time
What's living inside me I can't tame
I guess
I guess this is love
This is love...
Original Release Date: November 4, 2004
Click on cover art to listen/view songs.
Profile
About Adam: Adam Watts' varied work in the music and film industries as a Songwriter / Producer / Mixer has been featured on over 50 Million Albums Sold Worldwide, with over a dozen #1 HITS in multiple genres, an[more]Adam Watts' varied work in the music and film industries as a Songwriter / Producer / Mixer has been featured on over 50 Million Albums Sold Worldwide, with over a dozen #1 HITS in multiple genres, an ASCAP Pop Award, 2 ASCAP Film/TV Awards and 4 Dove Awards.
As a songwriter for Walt Disney Music Publishing for 10 years, Watts has written and produced songs for projects including High School Musical (1, 2, & 3), Hannah Montana (all seasons), Camp Rock (1 & 2), The Chronicles of Narnia Prince Caspian, Tinker Bell and the Lost Treasure, Disneyland's 50th Anniversary Celebration (Fireworks Show at Disneyland), Lemonade Mouth, Let it Shine, Jump In, Austin & Ally, Brave, as well artist releases for Jesse McCartney, Aly & AJ, Ingram Hill, Cherri Bomb, Hey Violet, and many more.
Watts diverse skillset has led him to work in multiple genres and with artists including Demi Lovato, Kelly Clarkson, Miley Cyrus, Jeremy Camp, Switchfoot, Jonas Brothers, Plain White Ts, Colton Dixon (American Idol), Angie Miller (American Idol), Javier Colon (The Voice Season 1 Winner), Drew Ryne (X-Factor), and many more. He is also a critically acclaimed singer-songwriter, having released ten self-produced solo albums, the most recent being "The Devil & The Light" released January 1st 2022.
Now published by Reservoir Media, Watts' most recent project was the Netflix original film "A Week Away", the first faith-based feature-length musical. Watts wrote, produced and mixed the film's many original songs (and the reimagined classic cover songs), as well as the soundtrack. The film won the Dove Award for Inspiration Film of the Year in 2021.
Watts is also an author and fine artist. His book "The Human of Being Art: A Holistic Approach to Being an Artist and Creating Art" has led to his teaching his unique approach to arts education at multiple Universities throughout Southern California. He is currently developing this approach into a full-fledged arts education and content creation entity, Broken City Artists.
Now the father of two sons, currently Watts is currently working on a series of children's multi-media franchise, "The Adventures of Owie & Raffy" featuring wondrously strange animal characters who are seeking to overcome their deepest insecurities, find self-acceptance, friendship, and a place to truly belong.
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Adam Watts Songwriter, Producer, Solo Artist, Author
Author of "The Human of Being Art: A Holistic Approach to Being an Artist and Creating Art", Adjunct Professor @ CBU
Music Releases: 10 Solo Album Releases: "The Devil & The Light" (2021), When a Heart Wakes Up (2018), The Hero and the Pain (2016), Haterfakers-Single (2015), Way Out (2014), Life on Earth (2013), Fallborn (2012), Murder Yesterday (2010), Sleeping Fire (2006), The Noise Inside (2004). Plus over 150 releases as a songwriter/producer/mixer.
Current Experience: Songwriter, Producer, Solo Artist, Multi-Instrumentalist (drums, vocals, bass, guitar, keys), Visual[more]Songwriter, Producer, Solo Artist, Multi-Instrumentalist (drums, vocals, bass, guitar, keys), Visual Artist, Author, Educator, Signed to Reservoir Media Publishing, Adjunct Professor (Cal Baptist University) [collapse]
Previous Experience: Songwriter/Producer with over 50 Million Albums Sold Worldwide, BEC/Tooth & Nail (EMI) Recording Art[more]Songwriter/Producer with over 50 Million Albums Sold Worldwide, BEC/Tooth & Nail (EMI) Recording Artist, Walt Disney Music Publishing songwriter. Extensive experience in rock, pop, alternative, CCM, TV, Film and Animation projects. 4x Dove Award Winner, 3x ASCAP Songwriting Award Winner. [collapse]
My Artist Type: The Visionary Artist
My Creative Work Type: The Entrepreneur
Short Term Goals: Release the FOLLOWING FIREFLIES multi-media book and music series
Long Term Goals: Share my HOLISTIC APPROACH with millions
Artist Q&A
List your Top 5 favorite songs of all time, and one reason why for each. (Think of it like this: if you could only listen to 5 songs for the rest of your life, which 5 songs would you choose?). NOTE: By definition, a song = a piece of music with vocals, lyrics and music.This is [more]List your Top 5 favorite songs of all time, and one reason why for each. (Think of it like this: if you could only listen to 5 songs for the rest of your life, which 5 songs would you choose?). NOTE: By definition, a song = a piece of music with vocals, lyrics and music.This is hard... this list kinda changes depending on the day... but I know I can't go wrong with this list:
1) With or Without You (U2) - haunting, beautiful, aching and timeless song about the tension that so often exists in a romantic relationship... the push and pull. Lyrics are poetry. Epic vocal. Love how it builds musically. Timeless production.
2) Mad About You (Sting) - This song has a feeling like no other. A biblical story from a cool original angle. something about this song just feels like me... it's one of the songs that inspired me to become a songwriter.
3) Fix You (Coldplay) - So emotional, so universal. A modern classic. It'd feel nice to have written that one! Again, another example of a heartfelt, artful song that's also been successful!
4) Hallelujah - (written by Leonard Cohen, but I dig Jeff Buckley's version)
5) Disappearing One (Chris Cornell) - This song feels like ME... how I feel... and it's got a perfect blend of mystery, angst, intensity, poetic artistry, musicality, and heart.
List the Top 5 songs you wish you'd written, and one reason why for each. (Any reason is viable!).
I'm gonna pick at least one song from every decade I've been alive!
1) With or Without You (U2) - haunting, beautiful, aching and timeless song about the tension that so often exists in a romantic relationship... the push and pull. Love how it builds too.
2) Every Breath You Take (The Police) - Because it's emotional but also artistic and most people don't know that though it's a love song, it's actually about obsession! Tricky. Also, it's one of the most played songs ever at radio. So it's artistic AND it's been successful... so again, the royalties would be nice!!
3) Fix You (Coldplay) - So emotional, so universal. A modern classic. It'd feel nice to have written that one! Again, another example of a heartfelt, artful song that's also been successful!
4) Perfect (Ed Sheeran) - A modern classic. Even though you could say it's a bit derivative of other classic songs, to me it just NAILS that utterly romantic feeling in every way... and it's so well sung... what a great vocal. And yet again, it's also been successful... so I'll take those royalties too!
5) Imagine (John Lennon) - It's such an undeniably emotional and thought provoking song... I'd change a couple lyrics:)... I also like that it's not only a great and meaningful song, but it's probably made a lot of money, so I'd enjoy that part too!
__________________
I'm not stopping!!
6) Black Hole Sun (Soundgarden) - amazing song that feels like no other.
7) Show Me How to Live (Audioslave) - Rocks SO hard and also has intense and meaningful lyrics.
8) Yesterday (The Beatles) - Such an aching song that nails the feeling of nostalgic regret in a way that feels so good.
9) Fake Plastic Trees (Radiohead) - this song so poetically and achingly expresses the sadness of the facades people put up in life... the hurt that lurks under the surface.
10) Chandelier (Sia) - One of the greatest pop songs ever. Incredibly poignant while being so catchy, soulfully melodic and powerful on every level. Amazing vocal... and such perfectly crafted and emotional lyrics.
11) I Can't Make You Love Me (Bonne Raitt) - Because... it's perfect.
12) Karma Police (Radiohead) - poetic, aching depth that I just really connect to on every level.
13) Lover, You Should've Come Over (Jeff Buckley) - beautiful, powerful, so in the moment. Everything about this song and recording is great.
14) Human (Rag 'n Bones Man) - One of the very best songs (in just about every way) of the last 10 years. There's a few "trendy" production things in there... but overall, a timeless and powerful song... songs like this are increasingly rare.
15) Someone Like You (Adele) - a modern classic of the 2000s. Just great, straight to the heart, honest songwriting.
16) To Make You Feel My Love (Bob Dylan, but Adele's version) - Such an amazing song from lyrics to melody... it just hits me.
17) The Age of Worry (John Mayer) - one of my favorite songs of his. It feels important and honest... it's emotional, thoughtful and just nails a certain feeling and perspective about life that I connect with while also being poetic about it.
18) My Hero (Foo Fighters/Dave Grohl) - one of the greatest rock songs IMO. "There goes my here... watch him as he goes... there goes my hero... he's ordinary...". So good in very way I want a rock song to be good: lyrically, musically, emotionally, and it KICKS A$$.
19) Maggie's Song (Chris Stapleton) - a song about a dog. We had to put our precious golden retriever Clementine to sleep in 2021 (she was almost 14 years old, totally blind, and in living in pain)... it one of the most awful, achingly horrible moments, yet also beautiful.... but she was an angel and added so much love/joy/beauty to my life. Man's best friend, for sure. This song NAILS the feeling... what it's like to love a dog and be with it from puppy to death.
20) Fire Away (Chris Stapleton) - a love song, but so much more.
21) Stairway to Heaven (Led Zeppelin) - because it's great, that's why!
22) Time After Time (Cyndi Lauper) - such a great song.
23) I Burn For You (Sting) - great in every way... so dark, yet so beautiful.
24) Slow Dancing in a Burning Room (John Mayer) - Such a great lyric, melody, recording... he nailed it.
25) Fortress Around Your Heart (Sting) - great in every way... WISH THIS WAS MINE! haha
26) Fragile (Sting) - This is kind of like Sting's "Imagine"... so good... so BIG... it's about life... and it feels real.
List what you believe are the Top 5 Greatest Songs Ever Written, and one reason why for each.
1) Imagine (John Lennon) - It's such an undeniably emotional and thought provoking song... I'd change a couple lyrics:)... I also like that it's not only a great and meaningful song, but it's also stood the test of time.
2) I Can't Make You Love Me (Bonne Raitt) - A warmly sad, aching love song that absolutely nails an archetypal life-situation/feeling in a way that's so emotional, mature, and utterly beautiful in a way that just feels like the truth. For a song released in the early 90s it's also pretty timeless sounding (actually sounds a little 80s).
3) With or Without You (U2) - haunting, beautiful, aching and timeless song about the tension that so often exists in a romantic relationship... the push and pull. Love how it builds too.
4) Smells Like Teen Spirit (Nirvana, written by Kurt Cobain) - So raw... So Badass... So emotional... AND thoughtful in ways that are equal parts angsty and sarcastic.... there's a ton of artistry and subtext in this song. Sounds as vital now as ever.
5) Stand By Me (Ben E. King - written by Ben E. King, Jerry Leiber, Mike Stoller)
____________
Not stopping here either !!!
6) Fortress Around Your Heart (Sting) - great in every way.
7) Let it Be (The Beatles) - it's so good it seems like it has always existed... but there was a time before it did!
8) Yesterday (The Beatles) - it's just hard to deny it's greatness on every level.
9) Fragile (Sting) - This is kind of like Sting's "Imagine"... so good... so BIG... it's about life... and it feels real.
10) Time After Time (Cyndi Lauper) - such a great song about such a basic thing:that notion of 'I'll be there for you no matter what'... this song nails that.
On the piano or guitar, do you understand how to build and/or play major and minor scales and chords starting on any note?
Yeah... scales are easier for me to find and play (to seem degree) on piano... it's all organized right there... on guitar I don't think in terms of scales, more so in chords and shapes... but I can find the scales on a guitar... I've never come at either instrument from a place of "learning my scales", but as an instrument to write songs on... so I find progressions and parts... I'm not a soloist.
Proficiency in the art and craft of SongMaking requires some solid understanding of the entire process. Are there any parts of the process you find confusing, intimidating, or difficult? (i.e. from the initial song idea to producing, mixing and mastering?)
At one time or another (to varying degrees) I've found EVERY part of the process a bit confusing, intimidating, and/or difficult. Pretty quickly though, I grew love every part of the process... I think it's SUPER important to dig in and get at least a basic understanding of every part of the process (even if it's not your specialty or career goal!). That initial intimidation feeling wears off fast and you'll be SO empowered by the control you'll have in crafting your music and communicating with collaborators. Just listen and explore.... and trust your instincts!
What instrument are you most proficient on? Also, do you sing at all (explain)?
I'd say drums... that's where I have the most obvious level of virtuosity... then voice (in an expressionistic sense)... then finger style guitar... from there I'm about the same level of proficiency on bass, electric guitar, and piano/keys... and I ALMOST consider Protools an instrument at this point!!
Do you understand the concept of of "relative major and minor scales"
Yeah... it's a simple thing, but wow is it powerful to use and understand in songwriting.
Do you know how to build Major 7th, Minor 7th, Dominant 7th chords, Suss-4, and Add-9 Chords? If not, please list which ones you don't know.
Yeah... but more often than not, I tend to like chord 7th chords much more when they're spread across multiple instruments and octaves as opposed to played in one octave on a single instrument... there's a feeling I like more when harmony is arranged in this way... I tend to like sparse and very deliberate use of 7ths! Every chord has it's context and has a feeling... and 7ths have a very strong and specific sound on an instrument... I'd often rather hear a more simple chord and hear the 7th in the melody or countermelody so it's used more as a passing feeling as opposed to one that's being SAT ON for awhile... but that's just me... it's a taste thing.
Can you read, write, and understand basic rhythms (from whole notes to 32nd notes)?
Yeah... this is the core of my training... as a drummer... and it's been helpful in working and editing in Protools.
Do you know the basics of how to setup a new session then record, edit, route tracks, and assign plugins in Protools?
Yeah... and if you don't, don't worry, it's not that hard... and once you know... you'll be off and running.
Which digital audio workstation (DAW) are you most familiar with and prefer using?
Protools for sure. Been working in protools for over 20 years and I love it... it's the industry standard... but that doesn't mean other DAWs aren't great and obviously many many people get incredible results on all kinds of software... it's about the user, not the program! There's an old quote... "it's the fool, not the tool!". haha
Do you understand how to put WAV files of individual drum samples into "the grid" in a DAW and make basic drum beats?
I do... And I like to play with how I put the sounds on the grid... sometimes shifting the sample off the grid a little bit (artfully!) can bring some humanity to a groove. ALSO: I'm a BIG believer in making my own samples.... I've been doing it since about 2013 almost exclusively... in this era where everyone has access to pre-0made samples that sound good... it's better to sound UNIQUE!! Every sound is made up of creative decisions... so create your own sounds... in real life, with a microphone... this makes a MASSIVE difference in your end result being unique. It's all about making intentional, instinctual and emotional creative decisions.
Do you know how to set up a basic signal flow to record with a microphone and/or instrument without unwanted distortion (i.e. from the instrument to the mic, cable, pre-amp settings, interface input, setting gain, and recording in your DAW, etc.)?
I do... but what's cool is that there are always new and unique ways to be found... so it's fun to experiment... sometimes what might be viewed as the wrong way to do something actually ends up sounding really RIGHT!!
Do you understand the basics of how to use EQ and compressor plugins?
I do! And if you don't... have no hear, use your ears! Don't fear the knobs. Just turn them fearlessly and LISTEN! It can be intimidating but just dive in and start turning knobs and listening to the results... find what YOU like and go for it. You'd be surprised at what you'll discover if you just goof around. There's no right or wrong with this stuff... there's what you like and what you don't... what sounds good and what doesn't.... just go for it... and of course, be open to LEARNING and just discovering by trial and error... and blend of both is the key to finding your own sound.
Do you tend to use plugin presets, or use your own custom settings (explain)?
This is a big one for me... I believe in really digging in and tweaking the knobs... finding out what they do so you can get the result you TRULY want... presets are a shortcut that can seem fun/easy but they remove a huge number of important creative decisions from your process... and the uniqueness of your end result IS dependent on how many customized creative decisions you've made... so make as many as possible! That includes tweaking every plugin yourself... not letting a preset make the decisions for you! It's tempting... but in the end you and your work will be MUCH better off for it!! If you've ever thought that a lot of new music sounds the same... it's partly because so many people are using presets and pre-made samples so much!! This is HUGE.
How do you feel you learn best?
A combination of internalizing concepts, understanding and applying them, while also just getting my hands dirty and learning as I go (experientially). This is also how I tend to teach: a combination of those two approaches.
On average, do you prefer inventing/creating your own techniques or learning proven techniques (explain)?
I really enjoying being inventive and discovering my own ways of doing things... knowing that often that means I'll be stumbling upon classic ways of doing things. But I also really value learning the proper ways to do things. So a blend of both for sure. I'm a highly trained drummer and really value that training... but in most other areas I'm more self-taught. I think we can all benefit from a personalized blend of the two approaches.
When it comes to your artistry, what are you most confident about? Also, least confident about?
MOST: I'm most confident in my instincts and tastes... and my ability to find a way to express those in ways that are at a high objective quality. I have just enough talents and intellect to get there... but I don't feel like I'm one of those people who's just gifted and can easily do things (when it comes to the technical process of making music)... I have to really work hard for my best results... but I do feel that the instinctual and taste part is most natural.
LEAST: My ability to know precisely what's going on harmonically just by ear (from a technical perspective), particularly with more complex music. I'll often have to take some time to poke around and figure it out. I tend to hear music as feelings, rhythms and sonic textures first before I hear the harmonic technicalities... this has been both a blessing and a curse! I think it's REALLY important for us to understand that we ALL hear music differently and focus on different things... our perceptions vary a ton! Understanding this can become a huge asset!
Describe your dream scenario for your career as an artist. Be specific!
I've been blessed to make a few dreams come true with music, but I'd like to take it further and own my own media and education company with a very broad reach. To be able to develop and educate artists as well as create, market and distribute music, films and other multi-media on a global scale.
Do you tend to envy other artists or feel competitive with them, or are you supportive of others?
When I was younger I could sometimes fall into some envy (with other singer-songwriters especially) or a competitive mindset. But I've always been genuinely supportive of other artists... my friends especially... and more so now than ever. One of the things that's come with age is the knowledge that we're all unique and that art is so subjective that comparing artists and art (in a way that could lead to jealousy or envy) is really a dead-end!
On average how much time per day (or week) do you currently spend working on your craft?
I'm almost always thinking about it. The amount of time varies. Usually throughout my life, it's been daily for many hours.
What brings you the most joy in both life in general and as an artist?
Balancing the joys of family and my creative life... my two hilarious and awesome kids Rowan and River and my wife Natalie... and the deep joy of expressing myself... the deeper moments with my own solo music especially... But I think some of the most consistent joy I've had with art has been when working with my friends/partners on music in the context of my career... so fun to share those ups and even the downs.
What makes you most frustrated both personally and as an artist?
I get frustrated when I'm not understood by other people... and this extends out to my work: When I'm unable to achieve my vision in the moment I have it... to get out what I know I know I'm capable of... I find that if I just keep pushing I can get there (or at least close)... but it can be REALLY frustrating!!
Do you see yourself as more of a leader or someone who is comfortable in a supportive position? If it depends, explain.
More of a leader. I work best with those who like to jump onboard as I lead. That said, when someone has a great idea I'm totally happy to support it and them! I love when the creative process is dynamic and everyone feels involved and essential to the process. Love working in with a partner or a great team.
On average, As you grow and progress as a person and an artist, is it more important that you have fun, or do you believe in a no-pain-no-gain process? Explain.
I'm probably a bit more of a no pain, no gain guy... but I enjoy solving the challenges in the creative process so maybe it's not PAIN per se, but more like solving the problems and getting through little moments of struggle and getting stuff done that drives me forward... but more and more I see the value in REALLY enjoying the process as much as possible as well. I try to work hard, but I need to feel like it's worth it and like there are little moments to celebrate and enjoy along the way, even when it's hard work.
What are you 3 favorite movies/films of all time? And Why?
hmm difficult... but probably:
1) Shawshank Redemption - amazing story of friendship and struggle, amazing score, acting and cinematography...
2) Forrest Gump - amazing story of how having a lot of heart and perseverance can make up for a lack of talent or intelligence... plus amazing score, great acting, and cinematography...
3) Braveheart - amazing story of love, standing up for your beliefs and against injustice, pushing through struggle for the greater good.... plus another amazing score, acting and cinematography...
All of these stand up as timeless classics IMO.
What are your 3 favorite artists of all time? And why?
1) Thomas Newman - film composer - unbelievably beautiful music... pretty sure this is what heaven sounds like.
2) Sting - His legacy of music with The Police and as a solo artist makes for a really iconic mix of originality heart, musicality and intelligence.
3) Jeff Buckley and Chris Cornell - it's s tie - both incredible and unique voices with great songwriting.
Cornell's work with Soundgarden and especially his first solo album "Euphoria Mourning"... WOW... His voice... his writing... he was a tortured guy and you could feel it in his music... gone way too soon.
What are your 3 favorite songs RIGHT NOW? And why?
This is hard. But I'll pick the first few that come to mind... for some reason they're all kind of ballads and ones I heard early in life... I love so many songs of so many vibes and styles from so many decades and eras... but these are like a heart-hug... and these are songs that I love that I also think are truly great, objectively.
1) With or Without You (U2) - haunting, beautiful, aching and timeless song about the tension that so often exists in a romantic relationship... the push and pull. Love how it builds too.
2) Imagine (John Lennon) - Even though some of the lyrics rub me wrong, overall this song is just nearly perfect and so emotional, vulnerable and beautiful while also being somewhat raw.
3) Fix You (Coldplay) - achingly beautiful and timeless song about empathy and love. This one builds much like my first song... just keeps getting bigger and more cathartic as it goes.
4) Mad About You (Sting) - honorable mention! This is probably the song that made me feel like I had to write songs... and it's such a vivid storytelling song with such a cool almost mysterious melancholic feeling throughout.
What emotions do you feel you most often feel the need to express through your artistic creativity?
Probably the feeling of intense struggle between the heart, mind, and soul/spirit. The feeling of tension between those parts of self. Do we feel about our thoughts? Or think about our feelings? Chicken or the egg.... and what is this SOUL part???? The consciousness that seems to exist outside of emotion and thought... the part of us that just IS.... so much of life is in navigating all of this.... and for me, songwriting is where I can hash all this out.
Is there one or more styles/genres of music that you despise/hate/can't stand?
There are none that I hate or despise.I tend to have a singer-songwriter core that emanates from classic folk and blues (meaning: good honest lyrics and melody are at the core) and then my tastes go outward into all other styles including alternative, pop, rock, indie, soul, r&b, funk and so many others... so maybe the further music gets from those styles (the less like "songs" in that classic sense) the less interested I tend to get.... but there isn't a style of music I don't like. I've heard great songs that I love in literally EVERY genre.
On a spectrum between 1 and 20, do you consider yourself more interested in technical perfection (1), or more interested in overall feel (20)? (For example, if it's an equal blend of the two you would answer: 10) Explain.
It varies from project to project... but I'd say I'm usually aiming right for a 10. It's the equal balance between the two that for me, really hits the spot!!
Have your parents been supportive of your artistry?
Absolutely. Very grateful for that. It's likely I would not have been successful without their support. I didn't experience legit music industry success as a songwriter or producer until I was 26 years old... and it didn't get REALLY legit until I was bout 28. These days I think there's a LOT of pressure on people to have success much earlier... but I think we need to give ourselves time to develop our artistry and skillsets... you're not a failure if you're still working things out into your mid-20s... even beyond that! I still feel like I'm growing, in my 40s.
Do you find that you prefer short bursts of learning/working with consistent breaks, or longer, focused times?
Longer, focused times for the most part. I definitely need to learn to take breaks! Sometimes I forget to eat when I'm super-focused.
What are your thoughts or opinions on counseling/therapy/psychology?
When it's good, it's GREAT! Gotta find the right fit with a therapist... when you do, it's SO helpful. It's been valuable to me in my life.
On a scale of 1-10 (10 being greatest), how do you personally rate the importance of the arts as entertainment or escapism? (as opposed to as a way to go deeper into ones thoughts and feelings). Explain.
7.5.... entertainment and escapism isn't art's greatest purpose IMO, but it's still obviously a valid use for it. It's important to be able to unwind, be entertained, have fun, and/or be transported into the imagination and take a break from "real life". That process can sometimes actually lead to deeper things.... realizations... catharsis.... rejuvenation.
On a scale of 1-10 (10 being greatest), how do you personally rate the importance of the arts as a means of personal expression, communication and meaning?
9 or 10. It can often transcend other forms of expression.... but it's no replacement for interacting with people 1-on-1 in a vulnerable way. That said, I do feel art CAN be important... and I think if god has gifted us with an artistic talent, we have a responsibility to bring as much meaning and value as we can to the world through our work... not just think of it as a self-centered way to feed our egos or make money!: ) Though making money doing this stuff ain't bad!
Are you technically savvy with regards to computers etc.? (What programs are you familiar with? i.e. Protools, Logic, Garage Band, Photoshop etc.). Do you enjoy this technical/engineering side of music? Explain.
Though I tend to resist learning new technology, once I do, I become fast and fluent on it. I'm very proficient in Protools and fairly good with Photoshop and Premiere Pro. I love applying technical knowledge to creating great music. The gear is nothing without its purpose which is to make music worth hearing!!
What do you feel is the best thing about you as a person? The least best thing?
The good: I try my best to be a good person... and if I make a mistake I try to correct it. I aim to be approachable and considerate to others. I aim to find the right balance of confidence and humility. I aim to be reliable and loyal. I try to do great work regardless of my mood. I want to do meaningful work that's not just about me, but about spreading goodness around. I seek to be truly fair with people in creative collaborations and in business.
The bad: I can be reactive, defensive, and sometimes withdraw when I'm criticized. In my desire to be understood I can also be stubborn! I can be rigid when I have a strong vision for something, which can be frustrating for others. Working on that.... Sometimes I can get overly perfectionistic (mostly with myself). I can tend toward being a workaholic and forget to pour into relationships enough. Sometimes all of these characteristics can add up to me not focusing enough on my own mental and physical health.
Do you feel it's important to finish everything you start, or do you tend to leave work unfinished for some reason? Explain.
I try to finish everything unless I realize it's not going anywhere, then I'll abandon it as soon as I'm sure it's a dead-end... I try not to waste time if it feels like it's going nowhere.... but I try to make sure I'm not just wanting to give up because I'm frustrated.
Do you often struggle with anxiety and/or depression? (if you'd prefer not to answer for whatever reason, simply answer: N/A)
I've struggled with both! For most of my life I'd say I've been prone to consistent times of melancholy... this would at times be something I'd think of as actual depression, but more so, it's been a sense of weight about the realities of life. That said, I've certainly dealt with overwhelming emotions that seem to be MORE than my fair share... I've sought support in those times, via counseling and that's been helpful... I didn't really experience much anxiety until more recent years... I think having kids and just getting older has made anxiety a new thing that I've had to deal with sometimes. I think it's SO important to be open about elements of mental health and seek support... we're ALL going through stuff and we need each other.
Do you plan to make music your full-time career? Do you have a Plan-B in terms of a career choice? If so, what is it?
Yeah... music and art.... creativity of any kind (which includes teaching!). That's plan A-Z:)
Define success in the most personal and complete way possible. i.e. What is success to you?
I want to make great work (artistically) that means something not only to me, but to other people.... and I want to make a good living making music/art. BUT, none of this means much without focusing on having a healthy balance of loving my family and friends and being healthy mentally and physically; that's the foundation of true success. Being wealthy and respected means nothing without health, loving relationships, and a strong spiritual center.
Besides music, what other artistic mediums to you enjoy working in?
Visual Arts (fine art, design, photography, film)
Writing (fiction and non-fiction)
Leatherwork
Carpentry
Knife-making
Archery
Martial Arts
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The Big Five Aspects Scale - Adam's results:
Agreeableness: 15% (Compassion: 72%, Politeness: 1%) [more]Agreeableness (the primary dimension of care for others). Compassion (the tendency to empathically experience the emotion of others) and Politeness (the proclivity to abide by interpersonal norms) for Agreeableness. [collapse]
Conscientiousness: 78% (Industriousness: 96%, Orderliness: 30%) [more]Conscientiousness (associated with duty, precision and responsibility). Industriousness (the ability to engage in sustained, goal-directed effort) and Orderliness (the tendency to schedule, organize and systematize) for Conscientiousness. [collapse]
Extraversion: 84% (Enthusiasm: 30%, Assertiveness: 98%) [more]Extraversion (associated with positive emotion). Enthusiasm (spontaneous joy and engagement) and Assertiveness (social dominance, often verbal in nature) for Extraversion. [collapse]
Neuroticism: 74% (Withdrawal: 57%, Volatility: 84%) [more]Neuroticism (negative emotion). Withdrawal (the tendency to avoid in the face of uncertainty) and Volatility (the tendency to become irritable and upset when things go wrong) for Neuroticism. [collapse]
Openness to Experience: 97% (Intellect: 96%, Openness: 93%) [more]Openness (interest in ideas and aesthetics). Openness (creativity and aesthetic sensitivity) and Intellect (interest in abstract concepts and ideas) for Openness to Experience. [collapse]
Enneagram Personality Assessment - Adam's Results:
Type 1: The Reformer
(Principled, Purposeful, Self-Controlled, and Perfectionistic.) [more]The Rational, Idealistic Type: Principled, Purposeful, Self-Controlled, and Perfectionistic [collapse]
Type 2: The Helper
(Generous, Demonstrative, People-Pleasing, and Possessive.) [more]The Caring, Interpersonal Type: Demonstrative, Generous, People-Pleasing, and Possessive [collapse]
Type 3: The Achiever
(Adaptable, Excelling, Driven, and Image-Conscious.) [more]The Success-Oriented, Pragmatic Type: Adaptive, Excelling, Driven, and Image-Conscious [collapse]
Type 4: The Individualist
(Expressive, Dramatic, Self-Absorbed, and Temperamental.) [more]The Sensitive, Withdrawn Type: Expressive, Dramatic, Self-Absorbed, and Temperamental [collapse]
Type 5: The Investigator
(Perceptive, Innovative, Secretive, and Isolated.) [more]The Intense, Cerebral Type: Perceptive, Innovative, Secretive, and Isolated [collapse]
Type 6: The Loyalist
(Engaging, Responsible, Anxious, and Suspicious.) [more]The Committed, Security-Oriented Type: Engaging, Responsible, Anxious, and Suspicious [collapse]
Type 7: The Enthusiast
(Spontaneous, Versatile, Acquisitive, and Scattered.) [more]The Busy, Fun-Loving Type: Spontaneous, Versatile, Distractible, and Scattered [collapse]
Type 8: The Challenger
(Self-Confident, Decisive, Willfull, and Confrontational.) [more]The Powerful, Dominating Type: Self-Confident, Decisive, Willful, and Confrontational [collapse]
Type 9: The Peacemaker
(Receptive, Reassuring, Complacent, and Resigned.) [more]The Easygoing, Self-Effacing Type: Receptive, Reassuring, Agreeable, and Complacent [collapse]
